Guy Sherwin: Paper Landscape

The Concept of Man—Kubrick’s 2001: A Space Odyssey and Tarkovsky’s Solaris

Frans Zwartjes’ Spectator: Cinema As Voyeurism

Guy Sherwin’s Man With Mirror: Cinema & Live Performance

Stan Brakhage: Mothlight, Death & Cinema Resurrection

Digital Cinema Theory: The Pause Button, David Lynch, Memento & Fight Club

Thorsten Fleisch Interview About Film Authorship & Self-Reference

Metaphors on Vision By Stan Brakhage: The Quest to Overcome The Language of Seeing

The Importance of The Opening Scene: An Interview with Simply Sandra Director John Joyner

Watch Ian Leslie’s Necessary Lies: From Placebo to Politics, Your World Is a Lie

Andrei Tarkovksy on Filmmaking: “Cinema Uses Your Life, Not Vise Versa”

Hollis Frampton’s Critical Mass Analysis

Charlie Kaufman Interview on Scriptwriting & Why “Movies Lie a Lot”

Watch Yayoi Kusama’s Self-Obliteration: The Dissolve of Identity

Watch: The Soviet Theory of Montage & Eisenstein’s Five Editing Methods

Robert Bresson On Filmmaking Part Four “Notes on Cinematography”

How Films Lie: The Special Effects in Only God Forgives by Nicolas Winding Refn

Werner Herzog Eats His Shoe Documentary by Les Blank